With 8 Go-Pro cameras and a long-range infra-red broadcast camera, we managed to create a watchable scene that keeps its tension throughout (I think!).Īs the editor, you see the footage over and over again, and you know the story inside out, so I was always worried that this scene would feel lengthy to a general audience. We had to stretch it across four minutes whilst Felix re-told the experience of it. However, in real-time, the spin only lasts 15 seconds. The flatspin that Felix experienced shortly after jumping out from 128,000 feet is definitely the most dramatic moment of the entire jump. Tell us about a favorite scene or moment from this project and why it stands out to you. For Space Jump, we had a lot of archived footage to select and re-organize based on the upcoming scenes we would be cutting in the new documentary, so I tried to make sure I had as much ready as possible to find easily for when I would need it. From there, I’ll prepare sequences for selects, depending on what I need, and I’ll try and make everything as efficient as possible for the upcoming project. This is so helpful and time-saving, and I never start a project without it. From the get-go, we have a template for projects, which allows us to already have structured bins in place for everything we need (sequences, footage, audio, etc.). How do you begin a project/set up your workspace? It wasn’t until I was 21, and helping a friend put together some behind the scenes footage of a modeling shoot, that I realized I wanted to make this my career. It was like a spark lit up inside of me, and I knew then that I enjoyed editing. I remember thinking that learning the basics of production never interested me, but as soon as we brought the raw footage back to the lab, I was immersed in a new world of crafting. I was studying Media Studies in College when I was around 17, and we were making a short film as part of the module. How and where did you first learn to edit? Read on to see how Baxandall compiled this commemorative documentary. Space Jump, which aired last fall and is available to watch on the Red Bull website, is as compelling behind the screen as it is on screen. We worked backwards, prioritizing the transfer of audio files almost immediately after the shoot had finished, getting transcripts and editing with the audio, then syncing the video later on once the files had transferred.” “The main shoot was split between Europe and the US, with the post house in Salzburg, and since this was interview driven, we needed to know what we were working with as soon as possible. “We were on an incredibly tight time schedule and were shooting new footage up to three days before the final delivery date, whilst piecing together what we could with archive and dailies in the meantime,” said Roisin Baxandall. To celebrate this moment in history, video editor Roisin Baxandall worked tirelessly, using Premiere Productions, to gather, organize, and edit all the footage, creating a seamless and moving documentary. Now, ten years later, they’ve seen almost a billion views of content from Red Bull Stratos. “People on every corner of the globe were transfixed by the endeavor as it played out live on 77 TV channels globally, in addition to millions of online streamers.” According to Tim Katz, head of Sports and News Partnerships at YouTube, within the first few weeks, Red Bull saw over 100 million playbacks of the event. “The stream nearly broke the YouTube platform's servers, reaching 16 times that of the Summer Olympics and is still the most watched live stream in the platform's history,” said Max Haidbauer, head of Global Athlete Content at Red Bull. Through the eyes of Felix, as well as eyewitnesses and other key members of the mission team, this film revisits the incredible Red Bull Stratos mission, casting new light on the intensely personal experience of the jump itself. Space Jump dives into the machinations behind the jump and the gravity of it - a human falling from space faster than a bullet - all while eight million people watched live on YouTube.
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